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By using our website and our services, you agree to our use of cookies as described in our Cookie Policy.As a trumpet virtuoso, his playing, beginning with the 1920s studio recordings he made with his Hot Five and Hot Seven ensembles, charted a future for jazz in highly imaginative, emotionally charged improvisation. But Armstrong also became an enduring figure in popular music due to his distinctively phrased baritone singing and engaging personality, which were on display in a series of vocal recordings and film roles.The Hot Fives' recording of "Muskrat Ramble" gave Armstrong a Top Ten hit in July 1926, the band for the track featuring Kid Ory on trombone, Johnny Dodds on clarinet, Lillian Harden Armstrong on piano, and Johnny St. By February 1927, Armstrong was well-enough known to front his own group, Louis Armstrong & His Stompers, at the Sunset Café in Chicago.(Armstrong did not function as a bandleader in the usual sense, but instead typically lent his name to established groups.) In April, he reached the charts with his first vocal recording, "Big Butter and Egg Man," a duet with May Alix.He took a position as star soloist in Carroll Dickerson's band at the Savoy Ballroom in Chicago in March 1928, later taking over as the band's frontman."Hotter Than That" was in the Top Ten in May 1928, followed in September by "West End Blues," which later became one of the first recordings named to the Grammy Hall of Fame.Armstrong was brought up by his mother, Mary (Albert) Armstrong, and his maternal grandmother.He showed an early interest in music, and a junk dealer for whom he worked as a grade-school student helped him buy a cornet, which he taught himself to play.

He was taken under the wing of cornetist Joe "King" Oliver, and when Oliver moved to Chicago in June 1918, Armstrong replaced him in the Kid Ory Band.

He weathered the bebop period of the '40s, growing ever more beloved worldwide.

By the '50s, Armstrong was widely recognized, even traveling the globe for the US. State Department and earning the nickname "Ambassador Satch." His resurgence in the '60s with hit recordings like 1965's Grammy-winning "Hello Dolly" and 1968's classic "What a Wonderful World" solidified his legacy as a musical and cultural icon.

During this period, he switched from cornet to trumpet.

Armstrong had gained sufficient individual notice to make his recording debut as a leader on November 12, 1925.

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